Colin produces his pieces on aluminum panels. After laying down a white base coat, he works with a mixture of black and silver airbrush and spray paint to compose an abstract background and the darker shapes of his subject. Once this stage is completed he moves on to the finer details and highlights, for which he calls on a range of tools to engrave or incise on the painted surface, exposing the underlying white and creating the image in intaglio (relief). Colin has a passion for exotic wildlife which is powerfully expressed in his innovative animal portraiture. Each stunning image gives the viewer a remarkable sense of closeness to the animal in question. Despite the semi-abstract feel of some of the work, Colin believes that the eyes should always be the focus of any life study, so this feature is always very real, drawing the viewer in and inviting them to engage with the subject.